|The image of Christ dominates this great cathedral built in His name|
|The throne of the Bishop of Rome|
The Church of Our Savior eventually became the main seat of the Bishop of Rome due to its proximity to the Lateran Palace. Important stational days in Holy Week—particularly Palm Sunday, Maundy Thursday, and Holy Saturday—which are communal in nature take place here. The consecration of the Bishop of Rome, and his coronation as Pope, and special blessings took place at this cathedral, emphasizing the Pope's role as a bishop for the City. During one Maundy Thursday Pope St. Gregory the Great was performing the mandatum (re: foot-washing ceremony) and after washing twelve men's feet and thirteenth appeared. This man's luminous face was described as perfect by the Pope. The man immediately disappeared. St. Gregory concluded it was an angel, or perhaps even Our Lord Himself. This is why in the old Roman rite thirteen men's feet were washed in Maundy Thursday as opposed to the instinctive twelve.
The Cathedral of Our Savior was subjected to barbaric invasions by the Goths in the sixth century, by the Saracens in the ninth century, and earth quakes throughout. By the reign of Sergius III (r. 904-911) the Cathedral had fallen into such disarray it required a re-model, including a new roof. It was re-dedicated by Pope Sergius and given a consecration to Ss. John the Baptist and John the Evangelist, hence its vulgar name "St. John Lateran."
|The Lateran Cathedral as seen from the square|
|Pope Benedict XVI enthroned after election|
As the Popes moved to Avignon, the Cathedral fell again into disarray and was partially destroyed due to a fire. It was re-modeled during the Renaissance and again during the 18th century, when the statues in the niches were added. Today the Popes still use this great Cathedral for Maundy Thursday, Ascension Thursday, Corpus Christi, pastoral visits, and enthronement after election.
I was blessed by God to be able to visit this awesome place a year and a half ago, whilst in Rome during Lent. My two friends and I, one Catholic and one then-searching, thought the Lateran to be an interesting one hour stop we could make on our way to the Colosseum. We spent five hours in the Lateran and two in the Colosseum.
The facade, a baroque addition, is impressive, but not as impressive as the one gracing St. Mary Major. I was not impressed with the Lateran until I stepped inside. What first struck me was the sheer scale of the place. I have been to St. Patrick's Cathedral in New York City several times, a larger church, but less open and hence smaller in scale.
|The imposing floor|
Terrible is this place and This is none other than the house of God; this is the gate of heaven; and it shall be called the court of God.—Genesis 28:17We made our way through the various side chapels over the course of an hour or two, before coming to the Chapel of St. Francis, shown below.
Depictions of the Saint and the Holy Ghost are abound in the chapel, including this one of this heart, re-calling his stigmata:
The Blessed Sacrament Chapel is next to the Papal Altar. There is a grand tabernacle surrounded by four statues of Popes. Interestingly the Popes are vested as deacons, indicating that they too are just servants at the altar of the High Priest, Christ. The Chapel is crowned by a depiction of the Last Supper and then of Our Lord's Ascension:
In the center of the Cathedral is the Papal Altar, topped by a canopy and reliquary which, although ornamented with busts of St. John the Baptist and John the Evangelist, contains the head of St. Paul. Imagine that almost every Pope from the fourth century has celebrated Mass on this altar, surrounded by St. Paul and Our Lord Himself.
|The Papal Altar|
And the canopy with the reliquary:
Across from the altar is the great apse of the Cathedral. A massive back wall is topped with gold mosaics containing icons of Our Lord, Our Lady, Ss. John the Baptist and John the Evangelist, and other Biblical figures. One must also recall the organic continuity of this cathedral. Icons of Ss. Francis and Dominic were not-so-deftly inserted at a later time! At the end of a long aisle, containing an organ, balconies for the cantors, and choir stalls for clergy in attendance, is the throne of the Supreme Pontiff:
Beyond the apse is a gift shop. Horrifically, the tomb of Pope Innocent III, the most powerful man of the Middle Ages, is a a cross beam for the door frame! How passes the glory of the world!
Something striking about this place is the color in it. The nave is a bland white, as per Italian baroque style for public places, but the sanctuary and other locations from the early Christian era, Middle Ages, and Renaissance is thriving with life and color. Even niches between icons and mosaics were treated as opportunities to paint images, images which literally pop out into a third dimension:
The nave for contrast:
The layout is distinctly Roman, the floor is medieval, the ceiling Renaissance, the chapels Baroque, and place entirely Catholic.
|The ceiling is a wonder|
The Cathedral's altars, chapels, aisles, and niches are a testament to the on-going effort that is the Gospel of Christ, one held by sinners and saints, which must endure every trial and be maintained and expressed through every age. This aisle towards the entrance contained numerous chapels under renovation!
I will leave on a light note. One of my companions was quite taken with the statues of the twelve Apostles in the nave, which are gargantuan in this size given the scale of the Cathedral. Upon arriving at St. Matthew, my friend decided that since the former tax-collector no longer needed his gold, that was no excuse to let is sit unused!